Oct 13, 2014 - The COSM V-Guitar technology behind the Boss GP-10 has been. Internally the GP-10 stores 99 patches, but an unlimited number can be. View and Download Boss GP-10 owner's manual online. GP-10 Music Pedal pdf manual download. Related Manuals for Boss GP-10. Music Pedal Boss GP-20 Owner's Manual. Guitar amplifier processor (16 pages) Music Pedal Boss GT-6 GT-6 Owner's Manual. Is some screen other than the Play screen shown in With the GP-10, you cannot switch patches in.
I lately exchanged my Manager GT-10 in for a GP-10, and after a significant number of hours with it in the recording studio, here are usually my preliminary views. I thought it would become helpful to create some reviews between the units, since I can't become the only one particular who has considered making the switch. Furthermore, the GP-10 has a lot of GT-10/GT-100 DNA, so it can make feeling to recommend back again to the older device and discuss what offers been kept or changed. I'meters taking it as read through that that the outdated GT-10 had been a well-made, versatile, and nice-sounding piece of equipment, so if you subscribe to the ‘boss sux there COSM is definitely all CW collection 6 stones' school of intellectual issue, this is definitely not the review for you.Starting the Box-The very first factor I observed when I got the GP-10 out of its package has been its little dimension and essential contraindications lack of handles/switches. It's much much less than half the size of thé GT-10, with simply four footswitches, an appearance pedal, seven small buttons, one handle button, and a quantity control. I'michael pretty sure this can be a cost-control factor - the GP-10 has a great deal of control power under the cover, and they needed to package the GK pickup truck, so Employer had to save money someplace to maintain the unit under the all-important $500 price stage. The most obvious effect of this is that you have got to press some of the buttons a LOT of moments to access some of the features - simply because numerous as 10 or 11 squeezes to obtain to the functionality you need. It's something of a discomfort, but as normal Boss possess place some believed into the menus structure, so it's simple to find the functions you wish, also if you possess to tap-dancé on the buttons to get presently there.-Obtaining linked- My primary guitar can be a Godin xTSA, which has a GK-style pickup built-in, so I purchased my GP-10 without the GK-3 pick up. One of the inspirations for getting a GP-10 was the itch to in fact make use of the GK output jack port and the GK controls on the top of the harmonica. Connecting had been just a matter of plugging in an (expensive) 13-pin GK cable connection. The GP-10 after that needed to end up being fixed up - it can end up being configured to function with a number of different hexaphonic pick-ups. Oddly, neither Manager nor Godin supply information on the correct settings to use with thé xTSA, so l produced an educated think. This do not finish well. Eventually I found a research on the Web to the appropriate settings, and after that stuff were seamless. The GP-10 paths pretty significantly flawlessly in bóth synth and guitár-modeling setting. The controls on the acoustic guitar (a couple of changes and a handle knob) are a helpful inclusion to the foot handles on the unit. The GK cable connection also tracks the signals from the normal pickups on the harmonica, which is definitely neat, and it offers a devoted ‘thru' result that simply carries the normal pickup indication, so you can connect amplifiers, other results, etc.It't worthy of noting that somé of the connectors you'd find on á GT-10, like the external effects loop, are just not there on thé GP-10. If you're also used to using your multi-effects unit as the coronary heart of a complicated flute rig, you may discover this limiting.-Electric guitar Effects-Though the main event is definitely undoubtedly the guitar-modelling features, the GP-10 is definitely also a ‘traditional' multi-effects device, and about a third of the stock presets just use results and amp models.Amp models:- The GP-10 provides a subset of the models from thé GT-100. Commenting on any amp (genuine or modeled), of program, is continually super-subjective: the perception of an amp is dependent on the player, the electric guitar, the style of songs, the weather, the period of time, not to point out all types of prejudices. Your distance will differ. That mentioned, here are usually my opinions: The clear and mildly distorted models are good. I was joyful to operate the GP-10 straight into a mixing table, whereas I often rán my GT-10 into a little pipe amp to sweeten the sound. The even more seriously distorted amp models are simply because unconvincing as they are in thé GT-10. All is definitely not dropped though - if you need distortion, you can use one of the (quite good) overdrive/distortion pedal models, fed into one of the clear amp versions. I like running dirty sounds into clean amps, therefore this technique works nicely for me - might not really be therefore good for you.Results:- Reading the specification bedding, I was a little concerned about the fairly narrow variety of effects compared to thé GT-10. In practice, this didn'capital t switch out to end up being as much of an concern as I expected, I think because Manager know what they are usually carrying out, and have got selected the checklist of effects cautiously - all the essential stuff is certainly presently there. They also made sure the basics (delay, refrain, reverb, wah, overdrive) have a lot of controllability and extremely good audio. Those perfect GT-10 hold off sounds are still right now there, as will be the traditional OD-1 model. When it's not really doing acoustic guitar or synth modeIing, the modeling processor chip can itself be used to do some nice effects, such as autowah ánd polyphonic distórtion, which adds to the range of available noises.A quantity of the even more unusual effects (for instance, the harmonizer) are usually much better applied and useful than they were in thé GT-10. The control setup (notice below) indicates you can get the greatest out of the obtainable results.-Harmonica Synth-The GP-10 offers three various synth settings - a pretty standard two-oscillator polysynth; a very much simpler Influx synth; and án emulation of thé Roland GR-300 harmonica synthesizer. You require to remember you're playing a harmonica synthesizer - get cleanly and don't allow random strings ‘band' - but if you perform, the monitoring is tough to wrong doing. That in change means you can perform real music rather than a collection of near-musical noises.At very first listen, many óf the synth cushion presets audio like the type of thing you'd only vacation resort to if you absolutely had to handle without a kéyboardist, but they generally work well combined with the sound of the normal guitar pickups. The business lead seems, on the additional hand, are usually excellent - mainly clear and punchy. Using the pedals or GK settings to change between octaves means that you can gain access to notes method beyond the regular variety of a clarinet, which can become very helpful.Acoustic guitar Modelling-Thé GP-10 will unavoidably stand or drop on how well it does clarinet modeling. Series6 Variax modeling guitars have ended up around for quite a while, so we're all familiar with the idea, even believed it'beds never really turn out to be a mainstream matter. The GT-10 provides about a dozen electric powered guitar versions, a few of traditional acoustic electric guitars, a several basses, and some ‘bonuses' like sitar, dóbro and banjó. Any line in any model can become re-tuned - thére's a quantity of presets for regular tunings like dróp-D, opén-G, etc., ór you can rétune the entire instrument upward or down by upward to an octave, or select your very own tuning. In inclusion, any model can be turned into ‘12-string' mode, where the sound of a second collection of strings is added to the design. The thread tunings for 12-line setting can be fixed to any period of time, not just an octave, which offers a further opportunity for creative cacophony.I've no idea how Boss perform their modeling (some type of frequency-dómain transform?), but thé versions are remarkably responsive. Selecting position, choose material, picking design/intensity and harmonics all possess the effect you'd expect on the audio. It's probable to overlook that what you're taking part in is definitely a model, and not the real point. The sounds, too, are usually very persuasive - Strats, Teles ánd Les Pauls aIl good believable, as do the traditional models. The electric powered guitar models consist of all of the standard pickups, therefore for illustration, you can choose ‘center and bridge' on the Strat model to get the acquainted ‘quack'. It's i9000 simple to set up the changes on the acoustic guitar/GK to manage pickup choice, which helps makes the models more natural and immediate to use. Though all the versions are good (Okay, maybe not really the ‘fretless electric guitar'), I specifically liked the Telecaster, 12-thread Rickenbacker, and banjo. The last mentioned sounds amazing if you change to opén-G tuning, disabIe the base two guitar strings, and enjoy with fingerpicks. Hilariously (but not really remarkably) the 12-line models are usually just as delicate to inaccurate tuning as a actual 12-line.-Settings and routing-0ne of the great advantages of the GT-10 has been its capability to route indicators from anyplace to anywhere, put results in any order, and possess anything manage anything else. Great in concept, but the entire system was so head-scratchingly complex that I believe it has been rarely used. It furthermore didn't help that really several of the factory presets produced imaginative or motivating use of all that strength. In my look at, one of the best points Roland have done with the GP-10 is to take this program and reduces costs of it so it will be simply as effective, but today also easy to use. In add-on, they possess long gone to significantly more trouble in using the manufacturing plant presets to showcasé what can be performed. For illustration, the “MA28 SET” preset begins off as a vanilla traditional acoustic harmonica: but if you action on the reflection pedal, the audio easily morphs into an overdriven electrical electric guitar. Another preset, “FOOT ARMING”, paths the phrase your pedal to fine-tune the string-bend variables of the Strat clarinet design - the outcome recreates the super-detuning effects of a Whammy pedal. Since handles are easy to established up, it gets very natural to have one preset cover a range of achievable choices. For example, I constructed a preset imaginatively known as “TELE”. It starts off as á country-style TeIecaster audio with lots of reverb. However, the reverb can end up being backed off with the manifestation pedal, and you can use the CTRL 1 footswitch to switch on some meltdown (the Deluxe Reverb design with mid-level get). On the other hand, press the on-off switch at the top of the expression pedal take a trip, and right now the your pedal functions as a tremoIo, for a Duané Eddy design feel. It'beds hard to express simply how much enjoyment (and how simple) it is definitely to create up noises Iike this.-USB Access-Thé GP-10 connects via USB to enable you to flow provide MIDI and audio to software on a PC or Macintosh. In add-on, you can use the free of charge Boss Tone Recording studio to modify and shop sections, and download brand-new areas from the Manager Tone Studio room archive. Some individuals have obtained very excited about all these functions, but to end up being sincere I didn't find them that éxciting. The patch manager works just fine, and it's great to end up being capable to backup the entire machine or just individual areas. Boss Firmness Central is a great concept, but right now there's not really that many third-party sections available. Allow's wait and observe how things create.-Conclusion-I Iike the GP-10. The clarinet modelling provides you access to sounds that are usually hard to attain without having around a stack of tools. The synth versions and effects are workable and well-designed, therefore it's simple to obtain the sound you would like, and it't also simple to designate controls therefore you can vary noises on the take a flight. The sound quality is definitely very good, and several of the presets are helpful out of the box. The greatest drawback to me is getting to gain access to a serious menu framework with simply a several control keys and one rotary control, which can make editing and enhancing presets sense like an exercise in Morse program code.Should you rush out and exchange in your GT-10 best away? Not necessarily. As a multi-effects unit, the GP-10 can be more limited than thé GT-10 in a quantity of methods. You've really got to want the brand-new sizes of guitar and synth modelling to create it advantageous to create the switch.The requirement of fitting a new pick-up to your harmonica means that the GP-10 is usually not going to be for éveryone. But if yóu're willing tó match the GK-3 pick up (or, like me, you already possess a GK-compatible clarinet), and you're interested in exploring new sounds in brand-new ways, after that the GP-10 earned't disappoint.
As icónic and intensive as it will be, the Manager range of pedals has never integrated a proper harmonica synth - until today.
While others have come and long gone, Roland - the company behind the hugely well-known Boss electric guitar effects brand - possess continuously supported acoustic guitar synthesizer products for over 40 years. However the brand-new GP-10 is definitely the first product to draw on Roland'beds guitar-synth expertise and endure the Boss name. The GP-10 could loosely be regarded a multi-effects pedal (hence, presumably, the Manager branding) but it provides much even more.
Insider Information
Under the cover of the mustard-yellow ground unit is usually a advanced polyphonic control program that requires a hex pickup truck to end up being installed on your harmonica. Hex pick-ups generate a different result for each line, so each thread can be processed individually. This can make feasible a wide range of results, like as glitch-frée pitch-shifting, poIyphonic MIDI, clarinet synthesis, and acoustic guitar modelling.
Roland offer the GK-3 hex pickup truck in a bunch with thé GP-10, and this can become set up on a broad variety of electric guitars, but if you already have a hex piezo-equipped flute (such as a Gódin LGXT or Cárvin SH-575) you can choose to purchase the GP-10 without the pick up. The hex pick up attaches to the GP-10 making use of a special 13-pin wire, which will be included with thé GP-10-plus-GK-3 package deal.
Tonal Treats
With thé hex pickup truck installed, the GP-10 starts up a entire host of opportunities. You can, for example, change your acoustic guitar, through Roland's COSM modelling, into different forms of harmonica. The COSM models monitor with incredibly low latency and really high accuracy because they're also centered on your actual guitar sound, instead than on MIDI. The versions include numerous acoustic electric guitars, Strats, Teles, humbucking pick-ups, hollow physiques, dobros, a banjo, and actually an electric powered sitar. You can change tunings at can, and add a tunable 12-chain edition to any electric guitar design.
The GP-10 furthermore consists of polyphonic effects, such as the Crystal clear metallic audio, a Gradual Cushion for string-synth-like results, and Polyphonic Distortion. This final one creates ‘performing' distortion that you can make use of to play complex intervals on the clarinet without generating the audio hash that usually takes place when you play chords and times through a conventional distortion. Enthusiasts of Roland'h GR-300 ‘80s flute synth should end up being delighted to find a comprehensive emulation of that unit. Lastly, the GP-10 includes in the proverbial cooking area kitchen sink - a dual-osciIlator polyphonic synth thát creates fat leads or retro-cool parts, similar of synths óf the ‘70s and ‘80s.
The GP-10 is usually blessed with versatile connectivity, including flute In and Out jack port sockets, mono/stereo system line outputs, appearance/footswitch input, hex pick up input, earphones output, auxiliary input and, final but not minimum, audio/MIDI intérfacing via USB. However, there's no immediate MIDI result.Include to this currently rich feature listing the numerous multi-effects, ámp- and cabinet-modeIling choices, a pc interface, and the truth that the entire thing takes up little more space than a standard small multi-effects unit, and you possess a tiny horror of a your pedal!
The unit includes two dual-modé footswitches aIong with an assignabIe phrase pedal. The footswitches, utilized to select from different patches, consist of assignable changes for results and features. In addition, there's a jack on the back again of the unit to serve for an external expression pedal or dual-fóotswitch.
Thé USB slot works as an audio and MIDI user interface, and Windows/Mac car owner software is supplied. To obtain MIDI data from the unit you must use a pc with its very own software program or MIDI user interface: the GP-10 USB output is not MIDI class-compIiant, and neither is now there a five-pin MIDI result jack port, so you can't attach it up directly to a hardware synth. Thé pitch-to-MlDI transformation on the GP-10 performed noticeably much better than on prior Roland models, though. Soft synths monitored with great precision and reduced latency - not quite simply because good as what I think about the present gold standard for guitar-tó-MIDI (the Fishmán Triple Play), but really functional.
Editing Software program![]()
Build Studio software, which allows detailed editing of sections on the GP-10 straight from a Home windows or Apple computer, will be provided. Sadly, you must possess the GP-10 linked to make use of the software program, but there are usually some useful functions. Tone Studio gives you access to Manager's Build Main online repository of areas, which provides a variety of spots in different designs. These can become used as they are, or basically as useful starting factors for your personal concepts.
Employer's motorist provides several settings of USB róuting, which can end up being helpful when working with yóur DAW. You cán record each string individually if you select, with or without any signal handling or modelling. Hence, you're capable to ‘re-guitar' the sound, by which I mean that you can report the ‘fresh' audio and tweak the configurations on thé GP-10 for play-back, or you can change the signal as you wish in your DAW before operating it through thé GP-10 for extra processing afterwards. In theory, this starts up an entirely new world of tonal possibilities for exciting players. It's i9000 very impressive.
COSM Sounds
The COSM harmonica voices stand for a substantial enhancement over previous decades. A great check for guitar-modelling products is definitely to pay attention very cautiously to the pitch-shifted harmonica models, such as 12-strings ánd high-strung ‘NashviIle' tunings - and ón that schedule, the GP-10 offers better-sounding pitch-shifted electric guitars than I've noticed from any device to day, like Roland't personal flagship products. The traditional acoustic guitars are usually also stellar, with brilliant, ringing sounds that are usually easily variable for both entire body features and overall tone. The electrical electric guitars, while less dramatically improved to my éars than the acóustics, nonetheless sounded more clear and even more powerful than on earlier units.
Thé COSM synth voices sound quite good as well, although some might be frustrated by the restricted editing capabilities. I would possess liked to cut short the attack on the Sluggish Sleeping pad, for illustration, but couldn'capital t modify this parameter. In reality, the GR-300 simulation will be the just COSM synth to provide a broad set of editable parameters.
The Shade Studio editing software provides the consumer much better control over patch editing and enhancing than can be obtainable via the hardware device, and provides entry to an on-line collection of presets.Relocating apart from the C0SM modelling, anothér synth, called Osc Synth, seems gorgeous and will be reminiscent of classic old-school analogue synthesizers. Unfortunately, I could never ever obtain this to monitor notes cIeanly with my piezo-équipped electric guitar. Even with careful tweaking, I had to play intentionally and with great accuracy to maintain from obtaining either mistracked or lacking information. Despite the good sound, therefore, I'm only likely to make use of the Osc Synth occasionally.
Amp Tones amp; Effects
To end up being sincere, Roland's ámp simulations in théir previous products left me a bit frosty. Even amps that you'n anticipate them to have got nailed, such as their own JC-120 Jazz Refrain, have in no way sounded very right to me. Happily, along with the enhanced COSM noises, I discovered the amp simulations to become better than what went before too. It'beds probably a bit unusual to explain an overdriven and distorted amp as getting greater clearness, but the GP-10 seems to pull off this technique by raising the authenticity of the various amps.
The Manager effects sound and sense like, well, Boss results. In additional words, they are usually all great, although possibly not really ‘hand-wired-boutique' good. I did sorely skip the Gradual Gear quantity envelope effect, which would have got expanded the flexibility of the COSM sounds by producing it less complicated to draw off pedal-steeI and slow-áttack synthesizer noises.
Results
The Manager GP-10 will be a very powerful your pedal, which offers great flute modelling, synth results, and tonal-shaping options in a cóst-effective and compact unit. The COSM acoustic guitar voices are usually excellent - and in my viewpoint they're presently ‘best in class' for pitch-shifted and traditional guitar sounds. Include to this the powerful software-editing features within the Shade Studio editor software program, and the ability to course of action each line individually in yóur DAW, and thé entire package will be very appealing certainly.
AIternatives
Thé only real alternatives to provide anything like the range of features and sounds come from Employer's mother or father company Roland. For guitár-to-MIDI techniques, you could furthermore think about Fishman and Chart Technology, and for guitar activity the rather different method of Electro-Harmonix is certainly now having interesting fruit.
Pros
Downsides
Summary
Despite a couple of small gripes, the Manager GP-10 will be a really impressive acoustic guitar synth/results unit, which packs an lousy lot into a compact impact and also out-performs the flagship models of parent business Roland in some values.
informationWithout GK-3 hex pickup £339; with GK-3 hex pick-up £435.
Roland UK +44 (0)1792 702701
Without GK-3 hex pick up $399; with GK-3 $499.
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